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Forbidden desires and dangerous intrigue generate sizzling heat in this erotic thriller! At a sexy strip club called Exotica, three strangers -- an obsessive man, an erotic table dancer, and the club's mysterious D.J. -- share much more than is apparent at first glance! As their secret passions grow, they become more deeply entangled in an inescapable web of jealousy, deceit, and revenge! The powerfully seductive hit EXOTICA is gripping entertainment -- you won't be able to take your eyes off it!In spite of its atrociously misleading packaging,
Exotica is a beguiling mystery by enigmatic Canadian filmmaker Atom Egoyan, in which people and their relat! ionships are not what they seem. What at first appear to be disparate stories of a tormented tax auditor, a lonely pet-shop owner, and a sensitive stripper and her coworkers gradually merge to reveal a larger, interconnected portrait. The sequences involving Mia Kirshner's schoolgirl stripper are particularly engrossing because of her character's intelligence and the scenes' deeper subtext. Indeed,
Exotica is less about stripping than about fragile human relationships, and it is not until the truly revelatory final scene that we are able to fully absorb the film's deeper meaning.
--Bryan ReesmanI Live Here is a paper documentaryâ€"an intimate journey to humanitarian crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi.
~THE BOOK~
I Live Here is a visually stunning narrative â€" told through journals, stories, images, and graphic novella! s â€" in which the lives of refugees and displaced people beco! me at on ce personal and global. Bearing witness to stories that are too often overlooked, it is a raw and intimate journey to crises in four corners of the world: war in Chechnya, ethnic cleansing in Burma, globalization in Mexico, and AIDS in Malawi.
The voices
we encounter
are those of displaced women and children, in their own words or in stories told in text and images by noted writers and artists. The stories unfold in an avalanche: An orphan goes to jail for stealing leftovers. A teenage girl falls in love in a city of disappeared women. A child soldier escapes his army only to be saved by the people he was taught to kill.
Mia Kirshner’s journals guide us through a unique paper documentary brought vividly to life in collaboration with J.B. MacKinnon, Paul Shoebridge, and Michael Simons, with featured works by Joe Sacco, Ann-Marie MacDonald, Phoebe Gloeckner, Chris Abani, Karen Connelly, Kamel Khelif, and many others.
~THE JOURNEYS ! ~
Ingushetia
The border of the Russian republic of Ingushetia is not even fifty miles from Grozny, the capital city of Chechnya. Today, some 15,000 Chechen refugees live in Ingushetia. Mia Kirshner and Joe Sacco traveled here together, returning with first-person accounts, video, photographs, and other materials gathered in Nazran and Moscow. The chapter includes journals by Mia Kirshner, the story of a young refugee as told by J.B. MacKinnon, the story of a young piano virtuoso as told by Ann-Marie Macdonald, and a graphic novella of Chechen refugees by Joe Sacco.
Burma
Ethnic cleansing by the Burmese military has displaced an estimated 500,000 to 1 million people; over 100,000 live in refugee camps along the Thailand-Burma border. Burma is also believed to be home to more child soldiers than any other country in the world. Mia Kirshner and Michael Simons took separate trips to the region; this chapter is based on their interviews,! photos, and video, as well as writing by sex workers and Kare! n refuge es. It includes journals by Mia Kirshner, as well as work by Chris Abani, Karen Connelly, J.B. Mackinnon, and a graphic novella by Kamel Khélif.
Juárez
Ciudad Juárez is a large industrial border city in Mexico across the Rio Grande from El Paso, Texas. Since 1993, young women, many of them employees of Juárez’s more than three hundred
maquiladoras, or global trade zone factories, have been disappearing from the streets. Mia Kirshner and Phoebe Gloeckner made independent journeys to this region; this book is informed by the stories and images they brought home. It includes journals, a story of one of the victims by Lauren Kirshner, and a graphic novella by Phoebe Gloeckner.
Malawi
Malawi is one of the world’s poorest countries, and has an AIDS rate close to twenty percent. The disease touches every aspect of daily life in the African nation, introducing immense chaos, particularly in the case of orphan children. Mia Kirshner ! and J.B. MacKinnon made the trip to Malawi and returned with interviews, photographs, writing, and artworks. This book includes journals, a children’s story by J.B. MacKinnon with art by Julie Morstad, and the stories and artwork of boys in a local prison.In spite of its atrociously misleading packaging,
Exotica is a beguiling mystery by enigmatic Canadian filmmaker Atom Egoyan, in which people and their relationships are not what they seem. What at first appear to be disparate stories of a tormented tax auditor, a lonely pet-shop owner, and a sensitive stripper and her coworkers gradually merge to reveal a larger, interconnected portrait. The sequences involving Mia Kirshner's schoolgirl stripper are particularly engrossing because of her character's intelligence and the scenes' deeper subtext. Indeed,
Exotica is less about stripping than about fragile human relationships, and it is not until the truly revelatory final scene that we are able to ful! ly absorb the film's deeper meaning.
--Bryan ReesmanA ! breath o f fresh air in a stale genre, Zoe Clarke-Williams's canny look at the catty world of college cliques is the smartest dissection of the complex world of class envy, social acceptance, and the seduction of privilege since
Heathers. But this drama plays it for tragedy. Local working-class girl Mia Kirshner is transformed from social outcast to campus Cinderella and adopted into the hedonistic party world of a trio of rich fun-loving sorority princesses (Meredith Monroe, Dominique Swain, and Rachel True), and comes out the other end in a drug-induced coma. Confidently directed and elegantly constructed in puzzle-piece flashbacks, this sensitive, sympathetic, smartly made drama is refreshingly free of glib moralizing, the rare young-adult film that twists the usual clichés and leaves its audience with more questions than answers. The DVD also features an audio commentary track by director Zoe Clarke-Williams.
--Sean AxmakerBrand New 8x10 Female Celebrity Photo
