The Encyclopedia of Small Business Forms and Agreements: A Complete Kit of Ready-to-Use Business Checklists, Worksheets, Forms, Contracts, and Human Resource Documents With Companion CD-ROM

• ISBN13: 9781601382481
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Those who wish they had a resource in which every possible small business form and agreement they have ever encountered was located can breathe a sigh of relief. The Encyclopedia of Small Business Forms and Agreements is the answer, as it will provide small business owners with ready-to-use checklists, worksheets, forms, contracts, and human resource documents. Inside these pages you will find over 250 essential documents for all your hiring, firing, intellectual property, Internet, technology, legal, merger, acquisition, money, fundraising, sales, marketing, and starting a business needs. In essence, this book is a small business survival kit packed with materials you can use for every aspect of yo! ur job.

This encyclopedia and companion CD-ROM focuses on the issues, situations, and tasks that you, as a small business owner, face every day when running your business, such as incorporation, board and shareholder resolutions, partnership agreements, business plans, insurance, employee applications, employment policies, termination, job descriptions, employee benefits, sales and service contracts, bills of sale, invoices, press releases, raising capital, venture capital, license agreements, confidentiality and non-disclosure agreements, letters of intent, term sheets, domain names, e-commerce contracts, release forms, demand letters, litigation, and arbitration.

Included in this comprehensive book are hundreds of easy-to-implement tools, contracts, forms, and checklists that will help you organize your business and make it easier to manage while increasing your bottom line. With its professionally organized format, this book takes you step by step through t! he valuable forms, which may be easily printed out and customi! zed, tha nks to the convenient companion CD-ROM. <\p>

Benchwarmers (2006) - DVD

• Benchwarmers (2006) - DVD

"A touching story about where imaginary friends go after we’ve left them behind."
Writertopia

"Not only is this story wonderful because it addresses the common fears of loneliness that come with age, but also because it shows that true friendship, no matter the distance or time that separates the companions, can last a lifetime."
Melissa Dalton

A story by Mike Resnick with Lezli Robin

«He’d been sitting on the sidelines, warming the bench, waiting, for almost seventy years. The winds of Time chilled him to the bone, and all he had to keep him warm were his memories, which got a little older and a little colder each day.
He wasn’t an imposing figure. There were days he looked like Humpty Dumpty before the fall, and days he looked more like a Teddy Bear. It didn’t make any difference to him. He had never seen a m! irror, nor did he care to.
He could have chosen any name he wanted, but he stuck with Mr. Paloobi, for reasons only one other person would understand.
[...]
It happened on the last day that he was called forth from the limbo where he was born, where he existed now until he was needed again. It was a day filled with the same promise as the day before, the same exciting horizon to be approached, the same challenges, and the same goals. But there was one thing that was not the same».

ABOUT THE AUTHORS

Michael Diamond Resnick (born 5 March 1942), currently stands first on the Locus list of all-time award winners, living of dead, for short fiction, and 4th on the all-time list of award winners for all lengths.

Lezli Robyn is an Aussie Lass who has very recently discovered a love for writing fiction. She has sold 9 stories since October 2008 to professional markets in America, such as Asimov's and Analog; six of them appearing in p! rint before the close of 2009 to qualify for the Campbell Awar! d.

"Benchwarmer" is a novelette. 6500 words."A touching story about where imaginary friends go after we’ve left them behind."
Writertopia

"Not only is this story wonderful because it addresses the common fears of loneliness that come with age, but also because it shows that true friendship, no matter the distance or time that separates the companions, can last a lifetime."
Melissa Dalton

A story by Mike Resnick with Lezli Robin

«He’d been sitting on the sidelines, warming the bench, waiting, for almost seventy years. The winds of Time chilled him to the bone, and all he had to keep him warm were his memories, which got a little older and a little colder each day.
He wasn’t an imposing figure. There were days he looked like Humpty Dumpty before the fall, and days he looked more like a Teddy Bear. It didn’t make any difference to him. He had never seen a mirror, nor did he care to.
He could have chosen any name he wanted, but he stu! ck with Mr. Paloobi, for reasons only one other person would understand.
[...]
It happened on the last day that he was called forth from the limbo where he was born, where he existed now until he was needed again. It was a day filled with the same promise as the day before, the same exciting horizon to be approached, the same challenges, and the same goals. But there was one thing that was not the same».

ABOUT THE AUTHORS

Michael Diamond Resnick (born 5 March 1942), currently stands first on the Locus list of all-time award winners, living of dead, for short fiction, and 4th on the all-time list of award winners for all lengths.

Lezli Robyn is an Aussie Lass who has very recently discovered a love for writing fiction. She has sold 9 stories since October 2008 to professional markets in America, such as Asimov's and Analog; six of them appearing in print before the close of 2009 to qualify for the Campbell Award.

"Benchwarmer" is a novelett! e. 6500 words.When Toby Wheeler has a chance to join the junio! r high b asketball team, he’s eager to prove he can keep up with his best friend, JJ. But practice doesn’t go quite as Toby has planned, and when the coach announces the lineup, Toby’s hopes of playing ball with JJ are history: he’s an eighth-grade benchwarmer!Benchwarmer is a story about an Arkansas youngster who grows up to become a nationally recognized sports editor and the numberone authority on the Arkansas Razorback football program. It is a suspense novel with many layers built around colorful characters who weave in and out of Taylor Prescott's roller-coaster life. The main character faces many hurdles and lands a job in scenic Fayetteville, Arkansas, where he overcomes personal tragedy to witness the greatest college football game of all time between the Arkansas Razorbacks and the Texas Longhorns.What leads this intrepid reporter to the final big stage on the day of the championship game and where does he fit in with President Reagan and the crazy Cuban exile? Is i! t another practical joke from his boyhood friend Winky, and will the wicked newspaper war in Little Rock play a pivotal role in the dramatic conclusion?

Will the beloved Hogs finally win the big one for Coach Wimberly, and will Taylor's sweetheart and young son be left alone at the hospital? The Secret Service must react swiftly as the drama unfolds on national TV, bombastic broadcaster Howard Bizell at the microphone. Everyone is watching and history is being made as violence erupts in Razorback land.

Features include:

•MPAA Rating: PG-13
•Format: DVD
•Runtime: 80 minutes
Credit The Benchwarmers for achieving the impossible: It makes the 2005 remake of The Bad News Bears look like a masterpiece. They're essentially the same film, with the same lowbrow PG-13 humor (mostly involving bodily functions, broad slapstick, little people, nerds, geeks, and nose-picking), but this baseball comedy earns a few brownie po! ints for its heart-warming message about including non-athleti! c kids ( i.e. "benchwarmers") in Little League baseball, if only to boost their confidence and give them a moment of ball-field glory. It's a pleasant sentiment intended to encourage under-achievers to feel good about themselves, and that makes this loose-and-goofy vehicle for Rob Schneider, David Spade, and Napoleon Dynamite's Jon Heder an easygoing time-killer. Parents with good taste should be warned that his movie has no taste at all (it's hopelessly mired in the swamp of fart jokes and juvenile sight-gags), and is there really a need for mild profanity in a movie like this? That said, there are a few laughs in the efforts of Schneider and his ultra-nerdy pals as they form a team of rejects and go to bat against an enemy squad of current and former school-bullies, led by former late-night talk-show host Craig Kilborn. In addition to Schneider and Spade, Saturday Night Live alumni Jon Lovitz and Tim Meadows show up for an easy paycheck, and director Dennis Dugan hand! les the dumb-and-dumber shtick as if he were on vacation, sipping margaritas and shamelessly going for the easy laughs. If that's what you're looking for, you've come to the right place.--Jeff ShannonRob Schneider, David Spade, and Jon Heder star in this comedy about three guys (Schneider, Spade, Heder) who, all their lives, have been living in the shadow of bullies and are determined not to take it anymore. Now they must train with the help of Mel (Jon Lovitz) to take on the most offensive and meanest Little League teams. Also starring Craig Kilborn, Tim Meadows, Nick Swardson, and Molly Sims.

A History of Violence [Blu-ray]

• An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929037926 UPC: 883929037926 Manufacturer No: 1000042712

Violence is so much in the news today that we may find it hard to believe that it is less prevalent than it was in the past. But this is exactly what the distinguished historian Robert Muchembled argues in this major new work on the history of violence. He shows that brutality and homicide have been in decline since the thirteenth century. The thesis of a ‘civilizing process', of a gradual taming, even sublimation, of violence, seems, therefore, to be well-founded.

How are we to explain this decline in public displays of aggression? What mechanisms have modernizing societies employed to repress and control violence? The increasingly ! strict social control of unmarried, male adolescents, together with the coercive education imposed on this age group, are central to Muchembled's explanation. Masculine violence gradually disappeared from public space, to become concentrated in the home. Meanwhile, a vast popular literature, precursor of the modern mass media, came to play a cathartic role: the duels of The Three Musketeers and the amazing exploits of Fantômas, as described in the new crime literature invented in the nineteenth century, now helped to purge the violent impulses.

And yet we seem, in the first few years of the twenty-first century, to be witnessing a resurgence of violence, especially among the youths of the inner cities. How should we understand this resurgence in relation to the long history of violence in the West?

An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner.On the surface, David Cronenberg ! may seem an unlikely candidate to direct A History of Viole! nce, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A H! istory of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adaptation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. --Jeff Shannon

Bucky Larson : Born To Be A Star Movie Poster Double Sided Original 27x40

• The sizes of these poster is approximately 27x40inches, rolled and in very mint condition never been used or hanged. These are original posters, not a reprint, . It is packaged carefully in a sturdy tube. These posters Will be shipped via USPS Priority Mail

It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits ! in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his ! massive under-equipment and contingent hair trigger gain him e! xactly t he kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters ! are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mail100% Original and Authentic movie theater promotional poster is about 11 x 17 inches in size. Will be shipped rolled, inside a poly sleeve to protect it from moisture and then carefully packed into a custom made crush resistant box. Poster has never been used and is near mint to mint condition. I have over 500 Original and Authentic mini movie poster titles.It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast o! f eminently accomplished actors who either didn't know they we! re slumm ing it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to ! put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his massive under-equipment and contingent hair trigger gain him exactly the kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roomma! te Kevin Nealon is definitely a laugh riot), but it's likely t! hat this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mail

Falling From Grace

• ISBN13: 9781453626337
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Mistaken at an opera soiree, Grace Tang is suddenly swept into the inner circle of Manhattan s elite and ushered into the arms of New York s most eligible bachelor. What follows is a whirlwind of romance and white lies, as Grace carefully negotiates her personal ties to Chinatown, Wall Street and high society.Former ballerina Gracie Hart is now known as the Diva of Romance in small town Franklinville, KY. The owner of a successful, sophisticated boutique called Romantically Yours, she lives a quiet life, healing from the tragedy that took not only ballet from her, but her fiance, as well. Who would have guessed that she has no intention of ever falling in love again, no matter how loudly her biologica! l clock keeps ticking?

That is, until her new tenants, Carson Price and his six-year-old daughter Izzie, arrive on the scene and proceed to wreak havoc in her life, and her heart. And when that happens, she has not only to face her past, but the future.

Former ballerina Gracie Hart is now known as the Diva of Romance in small town Franklinville, KY. The owner of a successful, sophisticated boutique called Romantically Yours, she lives a quiet life, healing from the tragedy that took not only ballet from her, but her fiance, as well. Who would have guessed that she has no intention of ever falling in love again, no matter how loudly her biological clock keeps ticking?

That is, until her new tenants, Carson Price and his six-year-old daughter Izzie, arrive on the scene and proceed to wreak havoc in her life, and her heart. And when that happens, she has not only to face her past, but the future.Former ballerina Gracie Hart is now known as the ! Diva of Romance in small town Franklinville, KY. The owner of ! a succes sful, sophisticated boutique called Romantically Yours, she lives a quiet life, healing from the tragedy that took not only ballet from her, but her fiance, as well. Who would have guessed that she has no intention of ever falling in love again, no matter how loudly her biological clock keeps ticking?

That is, until her new tenants, Carson Price and his six-year-old daughter Izzie, arrive on the scene and proceed to wreak havoc in her life, and her heart. And when that happens, she has not only to face her past, but the future.When you wake up in the morning and your eyes take in the first hints of light that shine through your window, the dust motes catching and reflecting the sun's rays like little diamonds, the shimmering hues of yellow and orangey gold breaking through into your room, the first thing you think about usually isn't how you're going to make it through the worst day of your life. Unfortunately for Grace Shelley, that's exactly what she's facing! as she ponders what to do now that she's going to be starting out her last year in high school without her best friend. She's not exactly the most popular girl in school - well, not the most popular girl in school to like, anyway - and everything seems to be hinting at another status quo year for her until she bumps into a stranger who leaves her stumbling for words and chasing after her heart. The new guy in school is different. Robert doesn't care about the rumors he's heard about her or that no one else seems to see her the same way that he does; he only wants to be her friend. That's when things get complicated. When Grace learns that he's not your typical high school boy and that he's actually a wingless angel who's looking for someone to trust, she's thrust into his world where not all angels are meant to protect human beings, and where the changes she brings into his life changes everything in hers.

Precious: Based on the Novel "Push" by Sapphire

• Condition: Used, Very Good
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Chris Rock visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community in this exposé of comic proportions that only he could pull off. A raucous adventure prompted by Rock’s daughter approaching him and asking, "Daddy, how come I don’t have good hair?”, GOOD HAIR shows Chris Rock engaging in frank, funny conversations with hair-care professionals, beauty shop and barbershop patrons, and celebrities including Ice-T, Nia Long, Paul Mooney, Raven Symoné, Dr. Maya Angelou, Salt-N-Pepa, Eve and Reverend Al Sharpton â€" all while he struggles with the task of figuring out how to respond to his daughter's question! .When one of Chris Rock's young daughters asked him an innocent question about having "good hair," the comedian probably had no idea just how complicated the answer would be. Fortunately for us, he decided to find out, and the result is this funny, informative, and highly entertaining documentary of the same name. Turns out that for a great many African-American women (and quite a few men, too), "good hair" means "white hair"--i.e., straight and lanky--while the natural or "nappy" look is bad. And oh, the lengths and expense women will go to in order to get "good hair"! In the course of the film, which was directed by Jeff Stilson and cowritten by Rock and several others, Rock first travels to Atlanta, home of the Bronner Brothers Hair Show, where thousands of folks buy and learn how to use new products (the show is also the site of the outrageous and climactic Hair Battle Royale, in which four stylists compete for money and fame). It's there that he learns about sodium hyd! roxide, better known as hair "relaxer," the "nap antidote," or! the "cr eamy crack" (as effective as the chemical substance is for straightening hair, it can also be highly dangerous). In Harlem and Los Angeles, he investigates the extraordinary popularity of hair weaves, which can cost tens of thousands of dollars annually to create and maintain; Rock even goes to Madras, India, source of most of the hair used in weaves (for Indian women, tonsure, or shaving their heads, is a ritual act of self-sacrifice). Along the way, Rock interviews a great many young women with fabulous hair (including actresses Nia Long, Raven-Symoné, and Kerry Washington, and rappers Salt-N-Pepa), but he also talks to the esteemed poet Maya Angelou, as well as men like rapper-actor Ice-T and the Reverend Al Sharpton. Sharpton, who is very amusing (he's referred to as "the Dalai Lama of relaxed hair"), is about the only celeb who touches on racial issues, pointing out that while it's African Americans who use the overwhelming majority of these hair products, the companie! s who sell them tend to be owned by Asians. Some viewers may object to the film's lack of a strong socio-political stance, but others will no doubt prefer the lighter touch, including a hilarious discussion at a barber shop about dating women with hair weaves (basically, it's "hands off the hair, pal"). --Sam Graham

When one of Chris Rock's young daughters asked him an innocent question about having "good hair," the comedian probably had no idea just how complicated the answer would be. Fortunately for us, he decided to find out, and the result is this funny, informative, and highly entertaining documentary of the same name. Turns out that for a great many African-American women (and quite a few men, too), "good hair" means "white hair"--i.e., straight and lanky--while the natural or "nappy" look is bad. And oh, the lengths and expense women will go to in order to get "good hair"! In the course of the film, which was directed by Jeff Stilson and cowritten by Rock and several others, Rock first travels to Atlanta, home of the Bronner Brothers Hair Show, where thousands of folks buy and learn how to use new products (the show is also the site of the outrageou! s and climactic Hair Battle Royale, in which four stylists compete for money and fame). It's there that he learns about sodium hydroxide, better known as hair "relaxer," the "nap antidote," or the "creamy crack" (as effective as the chemical substance is for straightening hair, it can also be highly dangerous). In Harlem and Los Angeles, he investigates the extraordinary popularity of hair weaves, which can cost tens of thousands of dollars annually to create and maintain; Rock even goes to Madras, India, source of most of the hair used in weaves (for Indian women, tonsure, or shaving their heads, is a ritual act of self-sacrifice). Along the way, Rock interviews a great many young women with fabulous hair (including actresses Nia Long, Raven-Symoné, and Kerry Washington, and rappers Salt-N-Pepa), but he also talks to the esteemed poet Maya Angelou, as well as men like rapper-actor Ice-T and the Reverend Al Sharpton. Sharpton, who is very amusing (he's referred to as "the ! Dalai Lama of relaxed hair"), is about the only celeb who touc! hes on r acial issues, pointing out that while it's African Americans who use the overwhelming majority of these hair products, the companies who sell them tend to be owned by Asians. Some viewers may object to the film's lack of a strong socio-political stance, but others will no doubt prefer the lighter touch, including a hilarious discussion at a barber shop about dating women with hair weaves (basically, it's "hands off the hair, pal"). --Sam Graham

Janet Jackson, Thandie Newton, and Whoopi Goldberg head up an all-star cast in a vibrant world where friends and strangers dream, fear, cry, love, and laugh out loud in an attempt to find their true selves. Adapted by writer/director Tyler Perry from Ntozake Shange's acclaimed choreopoem, this gripping film paints an unforgettable portrait of what it means to be a woman of color in the modern world.Tyler Perry breaks through to a new level of achievement as a writer and director in his remake of For Colored Girls (based on the groundbreaking 1970s play For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, by Ntozak! e Shange). The cast is superb, especially Kimberly Elise and P! hylicia Rashad. And the rest of the cast is just as compelling, including a low-key Janet Jackson, Loretta Devine, singer Macy Gray, Thandie Newton, Whoopi Goldberg, Kerry Washington, and Anika Noni Rose. For Colored Girls follows each actress/character as she faces prejudice, economic challenges, male abandonment, role upheaval--and all the emotions that go along with them. The original play was performed as poetry, and while the editing of For Colored Girls is a little uneven, Perry lets Shange's poetry truly shine through. Any person of color, any woman, and anyone who cares about them, will be drawn in to the deepest dramas a woman of color can experience--in the '70s or today. Viewers will get goose bumps when Newton's character, Tangie, says, "Being alive and being a woman is all I got, but being colored is a metaphysical dilemma I haven't conquered yet." And Elise as Crystal is utterly heartbreaking, with a performance reminiscent of her unforgettable turn in Beloved. The soundtrack of For Colored Girls is as unforgettable as the film, with performances by Gray, Sharon Jones, and others, including Estelle, in a showstopping version of "All Day Long (Blue Skies)." The blues may be wrenching--but in For Colored Girls, they make up the poetry of life. --A.T. HurleyPrecious Jones, an inner-city high school girl, is illiterate, overweight, and pregnant…again. Naïve and abused, Precious responds to a glimmer of hope when a door is opened by an alternative-school teacher. She is faced with the choice to follow opportunity and test her own boundaries. Prepare for shock, revelation and celebration.Not every movie can survive the kind of hype--multiple awards at Sundance and other festivals, rapturous reviews, nominated for six Academy Awards and winner of two, for Best Supporting Actress and Best Screenplay--that greeted the release of Precious: Based on the Novel "Push" by Sapphire, but this extraor! dinary piece of work is more than up to the task. What's parti! cularly notable about the film's success and acclaim is that in the beginning, at least, it presents one of the grimmest scenarios imaginable. The scene is Harlem, New York, in 1987. Teenager Clarisse Precious Jones (played by newcomer Gabourey Sibide in an absolutely fearless performance) is dirt poor, morbidly obese, semiliterate, and pregnant for the second time--both courtesy of her own father (the first baby was born with Down syndrome). Her home life is several levels below Hell, as her bitter, vengeful welfare mother, Mary (Mo'Nique, in a role that has generated legitimate Oscar® buzz), abuses her both physically and otherwise (telling Precious she should have aborted her is only the worst of a relentless flood of insults and vitriol). Yet somehow, the young woman still has hopes and dreams (depicted in a series of delightful fantasy sequences). She enrolls in an alternative school, where a young teacher (Paula Patton) takes her under her wing and even into her home, and vis! its a social worker (an excellent Mariah Carey; fellow pop star Lenny Kravitz is also effective as a male nurse) who further helps bring Precious out of the darkness. Incredibly, Precious's circumstances deteriorate even more before showing the slightest sign of improvement, and a climactic confrontation with her mother is one of the more wrenching scenes in recent memory. But against all odds, director Lee Daniels, screenwriter Geoffrey Fletcher (working from Sapphire's novel), and especially the wondrously affecting Sibide have managed to make Precious a film that will lift the viewer far higher up that one might ever have thought possible. --Sam Graham

Baby Aspen "Let The Fin Begin" Terry Shark Robe, Blue, 0-6 Months

• Mom and Dad are going fall for this terry-ific sea-inspired robe--hook, line and little stinker!

Mom and Dad are going fall for this terry-ific sea-inspired robe--hook, line and little stinker! After a refreshing bath time for baby, they'll want to wrap their wiggly, wet one in something cozy, absorbent and cute. Baby Aspen's Terry Shark Robe is reel-y fun and oh, so fin! Features and facts: Sea-blue terry robe with white cuffs, two terry ties in front, a hood with smiling, white shark's teeth, appliqued black eyes and a dorsal fin accent Bottom of robe resembles a shark's tail Machine-wash and dry (low) Size 0-6 months

Bridesmaids What I Learned Women's Junior T-shirt L

• Juniors Sizing
• Easy Care, Machine Wash.
• Licensed
• 100 % Cotton
• Preshrunk

Bridesmaids What I Learned As A Bridesmaid Jr Tee

Boogeyman 3

• Deleted Scenes
• Creating the Boogeyman featurette
• Deconstructing the Deaths featurette
• Boogey in Bulgaria featurette
• English and French with subtitles in English, French and Spanish.

Every culture has one - the horrible monster fueling young children's nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years earlier. Is the Boogeyman real? Or did Tim make him up to explain why his father abandoned his family? The answer lies hidden behind every dark corner and half-opened closet of his childhood home - a place he must return to and face the chilling unanswered question does the Boogeyman really exist?Since movies began, thrillers have depended on a door just slightly ajar, with a narrow slit of darkness that promises to hold your worst fears. In the first five minutes of Boogeyman, a young boy's fa! ther is violently sucked into a closet, scarring the boy so badly that he grows up to be blank-faced Barry Watson (7th Heaven), who plays Tim, an editor at a newspaper or a magazine or something. Tim, to impress his girlfriend's parents, wears a coat and tie but doesn't shave his sexy stubble. A premonition of his mother's death drives him back to his childhood home so he can exorcise his phobias. From there...well, there's lots of atmospheric cinematography, regular jolts of loud music, and many quick edits. What actually happens is pretty obscure and, really, not worth unobscuring. The obsession with doors and doorknobs verges on the avant-garde. Also featuring a brief glimpse of Lucy Lawless (Xena: Warrior Princess), wearing some truly terrible old-age makeup. --Bret FetzerFrom Ghost House Pictures, the makers of Boogeyman, 30 Days of Night and The Messengers comes this unrated terrifying addition to the Boogeyman series. When college sophomore Sarah Morris witnesses the all! eged sui cide of her best friend, it sets into motion a series of horrific events that cause Sarah to fear the supernatural entity known as the Boogeyman. As she tries to convince the rest of her dorm that the Boogeyman does exist, the evil force grows stronger and her friends begin to pay the price. Now Sarah must stop this ultimate evil before the entire campus falls prey because the question isn't whether or not the Boogeyman is going to get them...it's HOW and WHEN!