Bigger, Stronger, Faster*

• In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. We reward speed, size and above all else: winning at sport, at business and at war. Metaphorically we are a nation on steroids. Is it any wonder that so many of our heroes are on performance enhancing drugs?From the producers of Bowling For Columbine and Fahrenheit 9/11 comes a new film

When you discover that your heroes have all broken the rules, do you follow the rules, or do you follow your heroes? From the producers of Bowling For Columbine and Fahrenheit 9/11 comes a powerful new documentary that unflinchingly explores steroid use in the biggest, strongest, fastest country in the world: America.Pop culture junkies tend to think of Hulk Hogan, Sylvester Stallone, and Arnold Schwarzenegger as entertainment figures. In Poughkeepsie, NY, back in the 1980s, filmmaker Christopher Be! ll and his brothers viewed them as heroes and became bodybuilders. Like the Hulkster, Mike and Mark Bell even turned to professional wrestling. Chris, a former staffer at Venice's famous Gold's Gym, doesn't use anabolic steroids--he did try them once--but his heroes have and his brothers do, leading him to look deeper at this increasingly common practice. While Bell explores the health costs of juicing, he's mostly concerned with the moral consequences involved in the use of performance-enhancing substances. Though he refrains from judgment, he stopped taking steroids because it felt dishonest. Naturally, his burly brothers feel otherwise. Aside from his family, Bell speaks with doctors, lawyers, congressmen, gym rats, and professional athletes, like Olympic sprinters Ben Johnson and Carl Lewis and Tour de France cyclist Floyd Landis. He also includes footage of José Canseco, Barry Bonds, and Mark McGwire testifying during the federal grand jury and congressional hearings ! on steroid use in the major leagues (prompted by the publicati! on of Ca nseco's Juiced: Wild Times, Rampant 'Roids, Smash Hits, and How Baseball Got Big). For the most part, Bell doesn't leave any stone unturned and the personal nature of his entertaining and enlightening inquiry elevates Bigger, Stronger, Faster, i.e. The Side Effects of Being American, above your average exposé. Recommended to athletes, sports fans, health nuts, and of course, pop culture junkies. --Kathleen C. Fennessy

The Good Guy

• ISBN13: 9780553589115
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

One man. One choice. Someone must die.

From #1 New York Times bestselling author Dean Koontz comes this pulse-pounding thriller that starts with a terrifying decision we all might face one day: Helpâ€"or run. Timothy Carrier is an ordinary guy. He enjoys a beer after work at his friend’s tavern, the eccentric customers and amusing conversations. But tonight is no ordinary night. The jittery man sitting beside him has mistaken Tim for someone elseâ€"and passes him an envelope stuffed with cash and the photo of a pretty woman. “Ten thousand now. You get the rest when she’s gone.”

Tim Carrier always thought he knew the difference between right and wrong, g! ood and evil. But tonight everything he thought he knewâ€"even about himselfâ€"will be challenged. For Tim Carrier is at the center of a mystery of extraordinary proportions, the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself of which he never dreamed, capacities that will transform his idea of who he is and what it takes to be . . .

First Sunday : Widescreen Edition

• Widescreen

Ice Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help themselves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York Pollard, Rickey Smiley, Loretta Devine and Malinda Williams.Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an ! initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, Chi McBride, Keith David, Malinda Williams, Loretta Devine, and Katt Williams bring strong humor and dignity to t! he film’s latter half, compensating for some unpleasant miss! teps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghIce Cube and Tracy Morgan are two thieves who haven't got a prayer in First Sunday, a sinfully, funny comedy co-starring Katt Williams and Chi McBride. Sentenced to 5,000 hours of community service, Durell Jefferson's (Cube) life quickly goes from bad to worse. Realizing that the Lord helps those who help themselves, he eventually decides to help himself to the neighborhood church's building fund. Accompanied by his dimwitted partner-in-crime LeeJohn (Morgan), the two down-on-their-luck men are dismayed to discover the cash has already been stolen, so they hold the congregation hostage in a Hail Mary attempt to learn who amongst the righteous has already run away with their loot! Also starring Tiffany New York Pollard, Rickey Smiley, Loretta Devine and Malinda Wil! liams.Ice Cube continues his winning streak as a likeable everyman in family movies with First Sunday, an initially silly, disposable comedy that picks up emotional power and authenticity by the second act. Cube plays ne’er-do-well Durell, an out-of-work Baltimore dad who needs over $17,000 to keep his ex from taking their son with her to Atlanta for good. Desperate to raise the cash but hamstrung by his self-defeating attitude and the criminal antics of his goofy sidekick, LeeJohn (Tracy Morgan), Durell gives in to temptation and decides he and LeeJohn should rob a church. The crime goes badly when it turns out a number of parishioners are in the building at the time, and a hostage situation develops. Events take a twist when the would-be thieves become the beneficiaries of Christian charity and forgiveness from the men and women they’ve kidnapped, and a bigger criminal is revealed in the congregation’s mix. A terrific supporting cast including Michael Beach, ! Chi McBride, Keith David, Malinda Williams, Loretta Devine, an! d Katt W illiams bring strong humor and dignity to the film’s latter half, compensating for some unpleasant missteps (a pointless scene at a massage parlor) earlier in the story. Writer-director David E. Talbert is especially sharp during a spirited, gospel performance scene, which simply crackles on screen. --Tom KeoghStudio: Sony Pictures Home Ent Release Date: 10/05/2010This book is a collection of inspirational sermons given across North America following the 9-11 terrorist attacks. All were written on short notice by pastors who were themselves experiencing 9-11 with the rest of us. They serve to bring us all back to those dark days. Reading the sermon's and the pastors' comments help you recall and experience the feelings we all felt in September 2001.Martin Lawrence leads an all-star cast, including Cedric the Entertainer, Mo'Nique, and Mike Epps, in the hit comedy Welcome Home Roscoe Jenkins. When a celebrated TV show host (Lawrence) returns to his hometown in the S! outh, his family is there to remind him that going home is no vacation! It's one outrageous predicament after another when big-city attitude and small-town values collide in this hysterical comedy critics are praising for its "over-the-top hilarity!" (Roger Moore, Orlando Sentinel)While its story might sound terribly interesting, Welcome Home Roscoe Jenkins is largely a vehicle for gross-out sight gags and grotesque performances by performers who, in many cases, don't need to do such things. Martin Lawrence stars as R.J. Stevens, a successful, Jerry Springer-like, television talk show host who sets aside his perfect life with a sweet son (Damani Roberts) and celebrity girlfriend (Joy Bryant) to attend his parents' golden wedding anniversary back home in Georgia. From the moment he arrives, all the reasons R.J. left to reinvent himself on the West Coast become clear. His siblings and cousins (Mike Epps, Mo'Nique, Michael Clarke Duncan, Cedric the Entertainer) quickly ! put him in his place, reminding him that his name is actually ! Roscoe J enkins. His sweet mother (Margaret Avery) watches impassively while R.J.'s dad (James Earl Jones) strikes one disapproving note after another. R.J. would be content to wait out the anniversary events and go home, but the arrival of a woman (Nicole Ari Parker) he loved but couldn't keep during his adolescence changes everything, bringing out the competitive survivor within. Written and directed by Malcolm D. Lee (Undercover Brother), Welcome Home Roscoe Jenkins promises rich comedy and dramatic flavorings, as well as a bunch of delightful actors doing what only they can do best. But Lee subverts the project for cheap and easy laughs, using his best material to do little else than bridge scenes of bad slapstick, bestial perversity, clownish sex and irritating, motormouth rants from the likes of Mo'Nique and Epps. This a hard movie to sit through at 114 minutes, one of those what-were-they-thinking-when-they-made-this films. --Tom Keogh

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AND NOW....LADIES AND GENTLEMEN ORIGINAL MOVIE POSTER

• SINGLE-SIDED REGULAR 27X41 NEW
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The m! ovie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonA Claude Lelouch Film Widescreen CollectionClaude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonLadies and Gentlemen… The Rolling Stones finally comes to DVD. Th! is legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile ON Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, Ladies and Gentlemen makes its first authorized appearance on DVD. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late '60s and early '70s. PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

Captivity

• Special Features include * The Making of Captivity Featurette * On-the-Set Look Featurette * Deleted Scenes
• Widescreen 16 x 9 (2.35:1)
• Feature Film run time 85 minutes
• 5.1 Dolby Digital Surround EX Audio
• 6.1 DTS-ES Audio

CAPTIVITY - DVD MovieTop cover girl & fashion model jennifer tree has it all - fame, beauty, money & power. Everyone wants her...but some more than others. Alone after a charity event, she is drugged & taken.

All About My Mother

• Widescreen
• Exclusive Interview with director Pedro Almodovar
• Subtitles in English and French
• Director's production notes
• Talent files

A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About Eve, and A Streetcar Named Desire, the mothers (and fathers and actors) live out grief, love, and friendship.After her son is killed in an acc! ident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, A! ll About My Mother approaches its twists and turns with a ! broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerAfter her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actres! ses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer

Good Dick

• GOOD DICK (DVD MOVIE)

An eccentric and troubled young woman spends her days watching porn in the claustrophobic world of her apartment. An eccentric and troubled young man spends his days cataloguing films and serving her in a claustrophobic video store, before spending his nights sleeping in his car. The harder he tries to give himself to her the more she pushes him away. The farther away he goes, the closer she needs him to be. This impossible situation escalates and threatens to become combustible, just as it starts to become calm.