Friday, November 4, 2011

Gossip Girl: The Complete Third Season

  • GOSSIP GIRL: 3RD SEASON (DVD MOVIE)
College jounalism students plant a trashy rumor about a celibate co-ed, planning to track how the story changes as it burns through the university. But what the students never imagine is that the savagely mutating tale will turn against them.

DVD Features:
Alternate endings
Audio Commentary:Commentary by D. Guggenheim, J. Mardsen
Deleted Scenes:Deleted Scenes - 11:07
Filmographies
Interactive Menus
Music Video
Other:Travis's gossip Interviews "Grab Bag"
Scene Access
Theatrical Trailer

Gossip is one of a spate of movies that owe a lot to Cruel Intentions. This time it's rich kids in college, but other than that Gossip stays well within the beautiful-young-people-doing-awful-things-to-each other formula. Lena Heady plays Jones, obvi! ously the Smart Girl because she is briefly seen wearing glasses. Jones hangs out with Arty Guy Travis and Handsome Rich Guy Derrick, who finances their adventures and has a little bit of a lying habit. The three are all in the same journalism class (acidic monologist Eric Bogosian plays the acidic professor) and decide to start and track a rumor for their term papers. They pick rich and beautiful couple Beau and Naomi (Joshua Jackson and Kate Hudson) as the focus of the rumor, and before you know it their juicy story starts spinning out of control into ugly territory and a truly ludicrous climax. There are attempts at making sledgehammer points about the slippery task of finding Truth, but mostly Gossip is about the guilty pleasure of watching pretty young actors be mean to each other. You'll hate yourself in the morning, but watch it anyway. --Ali DavisHere’s the dish, GG fans: the 22 episodes of Season Four couldn’t be juicier! And Gossip Girl is there ! to keep you clued in to the buzz, secrets and scandals of Manh! attan’ s elite. Between Blair and Serena’s thrilling summer in Paris, Chuck’s new girlfriend and new identity, unexpected fatherhood for Dan, a power play for Bass Industries, Blair’s too-haute-to-handle internship at W Magazine and a vicious conspiracy that threatens to bring down one of your favorite Upper East Siders, Season Four sizzles with some very surprising hookups and meltdowns. With lies and betrayals at every turn, Serena, Blair, Nate, Chuck, and Dan struggle to “keep their friends close and their frenemies closer.” The fourth season of Gossip Girl starts to show a little age; while the fashions are as couture as ever and the scandals the right level of sleaze, the season takes some inexplicable turns. But no season is complete without its parade of troublemakers, so up first is Georgina (Michelle Trachtenberg), whose pregnancy announcement at the end of season three throws serious water on Dan's romantic possibilities with Serena (Blake Lively). Then t! here's Juliet (Katie Cassidy, daughter of '70s teen idol David), an impostor whose elaborate scheme to take down Serena is connected to her past and involves some serious loony-bin activity (Cassidy, who was the best thing on the short-lived Melrose Place reboot, makes a terrific foil--much less irksome than Georgina, who has by now overstayed her welcome). Finally, there's Russell Thorpe (Spin City's Michael Boatman), a ruthless businessman who angles to take over Bass Industries from Chuck (Ed Westwick). But none of these villains hold a candle to the internal evildoing within the Upper East Siders; Dan (Penn Badgley) plots against Chuck, Vanessa (Jessica Szohr) and Jenny (Taylor Momsen) plot against Serena, then turn against each other, mapping both of their exits off the series; Serena and Chuck plot against her mother, Lily (Kelly Rutherford), and finally Lily's sister Carol plots against her by employing her daughter Charlie (Kaylee DeFer). Incomprehensi! ble love matches ensue (the show's creators seem intent on hav! ing Sere na circle romantic possibilities with… pretty much everyone), but the friendship that naturally evolves between Dan and Blair becomes the season's most pleasant surprise. That Blair becomes the center of a complex romantic web between Chuck and an honest-to-goodness prince (Hugo Becker) steers the season back in the right direction; Meester and Westwick remain the emotional centers of the show and anchor it when it veers too far into Crazytown. --Ellen A. Kim

A dishy, incisive exploration of gossip â€" from celebrity rumors to literary romans à clef, personal sniping to political slander â€" by one our “great essayists” (David Brooks)

To his successful examinations of some of the most powerful forces in modern life â€" envy, ambition, snobbery, friendship â€" the keen observer and critic Joseph Epstein now adds Gossip. No trivial matter, despite its reputation, gossip, he argues, is an eternal and necessary human enterprise. Proving that ! he himself is a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best â€" clever, mocking, a great private pleasure â€" to a corrosive new-school version, thanks to the reach of the mass media and the Internet. Gossip has invaded and changed for the worse politics and journalism, causing unsubstantiated information to be presented as fact. Contemporary gossip claims to reveal truth, but as Epstein shows, it’s our belief in truth that gossip today threatens to undermine and destroy.

Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.
Spotted: Our beloved Upper East Siders, all grown up. Though high school may be behind most of them, you can be sure a future of love, scandal and, of course, secrets awaits! . Based on the best-selling series of young-adult novels by Ce! cily von Ziegesar, this drama is told through the eyes of an all-knowing blogger -- Gossip Girl -- who, via constant, avidly read text messages, is determined to uncover and fuel every scandal possible on Manhattan's Upper East Side, where gossip rules, and affluent young people find themselves with the money, access and appetite to explore all the temptations New York City has to offer. Keeping track of the shifting friendships, jealousies and turmoil in this wealthy and complex world isn't easy; that's why there's Gossip Girl. Executive produced by Josh Schwartz (Chuck, The O.C.) and Stephanie Savage (The O.C.), Gossip Girl has won a legion of devoted and fashion-forward fans.For the Upper East Siders of Gossip Girl, their first year of college means some hierarchical changes. At NYU, Blair (Leighton Meester) gets a cold reception from the students she was hoping to make her minions; alternately, Dan (Penn Badgley) finally hits his stride, inclu! ding dating a movie star (guest star Hilary Duff) but struggling with growing feelings for his bestie Vanessa (Jessica Szohr). Serena (Blake Lively) tries various jobs in an effort to be taken seriously, but as usual ends up falling for the wrong guy and getting herself in one jam after another, the most serious of which involves her daddy issues when he (guest star William Baldwin) reappears into her family's lives. Meanwhile, Chuck (Ed Westwick) is finally happy in his relationship with Blair and, buoyed by her love, launches his own hotel to emerge from his late father's shadow. As scheming and backstabbing are the bread and butter of Gossip Girl, many villains cycle through, including Michelle Trachtenberg's return as Georgina and Desmond Harrington (Dexter) as Chuck's uncle. But the true evolving baddie in the third season is Jenny (Taylor Momsen), now the Queen Bee of Constance Billard and showing a new meanness that leaves her betraying her closest frie! nds and family, trying to steal Nate (Chace Crawford) from Ser! ena, and (gasp!) dealing drugs. Blair and Chuck may be vicious, but at least they're multidimensional and easy to root for--they remain the central couple of the series, with Meester and Westwick's undeniable chemistry and strong acting--whereas Jenny has become (literally) the petulant child whom you just want to give a good spanking. Unfortunately, no amount of tears ever really redeems her, since her transformation from loathing the social elitism to leading the Mean Girls is so abrupt.

The best episodes are when the cast turns into the Scooby Gang to dig for the truth about someone's nefarious ways, with Serena as the far-too-trusting victim (for a girl who's far from sheltered, she's also really dense about people's ulterior motives and really horrible at learning that you should never hide things from your boyfriend). Of course, there's always a college party or a fabulous gala (this season includes a cotillion, a wedding, and a state dinner!) to bring everyone together an! d have an excuse to wear fabulous couture. Season 3 may take the series out of high school and into the real world, but really, the only difference is they're not wearing school uniforms. Bonus features include a featurette on the many formal events across the three seasons (the Kiss on the Lips party, the black and white party, proms, masquerade balls, etc.), including tips on how to throw your own Gossip Girl party; a blooper reel; and a music video from Lady Gaga, who makes a cameo in one episode. --Ellen A. Kim

Holy Man

  • The always hilarious Eddie Murphy stars with Jeff Goldblum and Kelly Preston in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman is praying for a miracle that will lift the network s lousy ratings and save his job. Then, from out of nowhere, G walks into his life! An outrageous, sel
The always hilarious Eddie Murphy (DR. DOLITTLE) stars with Jeff Goldblum (JURASSIC PARK) and Kelly Preston (JERRY MAGUIRE) in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman (Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then, from out of nowhere, "G" (Murphy) walks into his life! An outrageous, self-styled inspirational guru with a ! knack for showing up where he isn't exactly wanted, "G" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting savior Ricky's network has been looking for! Also featuring a host of well-known celebrities in a sidesplitting series of comic infomercials -- you're bound to be another satisfied customer with nothing but praise for HOLY MAN!Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine through, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening! effect on spiritual well-being.

Murphy plays an enlighten! ed eccen tric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of comedy and commentary, and receptive viewers will be grateful, at a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

Faster - Ultimate Collector's Four-Disc Set (Faster / The Doctor, the Tornado and the Kentucky Kid)

  • Welcome to the white-knuckle world of the Motorcycle Grand Prix--the fastest sport on two wheels--where only the most audacious competitors race at speeds over 200 miles per hour. Now you can experience the sheer thrill of the track with FASTER: ULTIMATE COLLECTOR'S EDITION. This four-disc set includes the films FASTER, the festival-winning tribute to Moto GP, and THE DOCTOR, THE TORNADO &
After 10 years in prison, Driver (Dwayne Johnson) has focused on one thing â€" hunting down the people responsible for brutally murdering his brother. Now a free man with a terrifying purpose, he sets out to find and kill all those on his list. But on his heals are two men who will do anything to stop him â€" a veteran cop (Billy Bob Thornton) and a hitman (Oliver Jackson-Cohen) who finds his match in this worthy opponent. Now, the hunter is also the hunted.In Faster revenge is a dish best served qui! ckly and with no remorse. Dwayne Johnson's character Driver has few lines, instead letting his actions--and the growls of the muscle car he's driving--speak volumes. Driver (given no other name for the duration of the movie) is released from prison, for crimes not initially noted, and immediately sets out in a fast car with a gun and a mission of revenge. He is coldly efficient with his kills, wasting no time or bullets as he delivers his brand of justice. The puzzle pieces of his crusade are snapped together with each victim he goes after; this is not a man who kills for the thrill. Each victim is specially selected, and Driver wants each to see his face to understand why they are being executed. Nor does he bother hiding his face from surveillance cameras or the police detectives (Billy Bob Thornton, Carla Gugino) chasing him. Driver is not a man who cares if he's caught, so long as he gets to finish his self-imposed task first. As word of his spree hits the news, one of ! his potential victims hires an assassin (Oliver Jackson-Cohen)! to get to Driver first. Surprisingly, most of the characters show some depth of personality, in spite of being little more than caricatures of stereotypes (the troubled cop, the bored assassin). Faster isn't as reliant on mindless action as expected, but the story line is played out in such a way that you can't help rooting for Driver and his bloody revenge. Though parts are a tad predictable, all in all this is a thoroughly entertaining action flick. --Jill CorddryAfter 10 years in prison, Driver (Dwayne Johnson) has focused on one thing â€" hunting down the people responsible for brutally murdering his brother. Now a free man with a terrifying purpose, he sets out to find and kill all those on his list. But on his heals are two men who will do anything to stop him â€" a veteran cop (Billy Bob Thornton) and a hitman (Oliver Jackson-Cohen) who finds his match in this worthy opponent. Now, the hunter is also the hunted.In Faster revenge is a dish best served qui! ckly and with no remorse. Dwayne Johnson's character Driver has few lines, instead letting his actions--and the growls of the muscle car he's driving--speak volumes. Driver (given no other name for the duration of the movie) is released from prison, for crimes not initially noted, and immediately sets out in a fast car with a gun and a mission of revenge. He is coldly efficient with his kills, wasting no time or bullets as he delivers his brand of justice. The puzzle pieces of his crusade are snapped together with each victim he goes after; this is not a man who kills for the thrill. Each victim is specially selected, and Driver wants each to see his face to understand why they are being executed. Nor does he bother hiding his face from surveillance cameras or the police detectives (Billy Bob Thornton, Carla Gugino) chasing him. Driver is not a man who cares if he's caught, so long as he gets to finish his self-imposed task first. As word of his spree hits the news, one of ! his potential victims hires an assassin (Oliver Jackson-Cohen)! to get to Driver first. Surprisingly, most of the characters show some depth of personality, in spite of being little more than caricatures of stereotypes (the troubled cop, the bored assassin). Faster isn't as reliant on mindless action as expected, but the story line is played out in such a way that you can't help rooting for Driver and his bloody revenge. Though parts are a tad predictable, all in all this is a thoroughly entertaining action flick. --Jill CorddryFASTER ULTIMATE COLLECTOR'S SET - DVD Movie Even if you've never witnessed the intensity of MotoGP motorcycle racing, Faster will take your breath away. It's a perfect primer for newcomers, offering a comprehensive survey of the fastest sport on two wheels, and it's guaranteed to satisfy hardcore fans with its detailed history, profiles of the top riders from the 2001-02 seasons, highlights of spectacular crashes and unforgettable races, and a veritable feast of the best MotoGP cinematography you're ! ever likely to see. From front-and-rearview cycle cameras to swooping overhead track coverage, filmmaker Mark Neale immerses the viewer in the MotoGP experience, enhancing the adrenaline-pumping visuals with expert interviews and commentary (and cool, low-key narration by globetrotting cycle-lover Ewan McGregor) that any sportswriter would consider authoritative.

Literally and figuratively, a lot of ground gets covered: From Kenny Roberts and the late Barry Sheene discussing their innovative knee-dragging styles and the origins of rear-wheel steering to the colorful rivalry of Max Biaggi and reigning champion Valentino Rossi (including Biaggi's infamous "Elbow Incident" at Suzuka in 2001), Faster never loses sight of the human element that makes this ultra-dangerous sport so fascinating. Track physician "Dr. Costa" is profiled (and offers some eloquently philosophical thoughts about MotoGP riders), along with innovative rider Garry McCoy (plagued by injuries); fo! rmer champion Wayne Rainey (now paraplegic and active in kart-! racing); young prodigy John Hopkins in his rookie season; and several other prominent figures in the world of MotoGP.

The bonus disc includes Faster & Faster, a sequel covering the 2003 and 2004 seasons, which saw the rise of the 500cc 4-stroke engine (and speeds in excess of 215 mph), Ducati's dominance and trend-setting removal of engine silencers (to boost power); Rossi's move to Yamaha; the fatal crash of Daijiro Kato; the victories of Sete Gibernau; and the rookie debuts of Neil Hodgson, Ruben Xaus, and Shane Byrne. Through it all, Faster and its sequel serve as the ultimate guide to MotoGP, certain to inspire future champions and armchair fans alike. --Jeff Shannon

The Chumscrubber Poster Movie 27x40

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Chumscrubber Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
The Chumscrubber is a darkly satiric story about life crumbling in the midst of a seemingly idyllic suburbia.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Chumscrubber is a 2005 dark comedy film directed by Arie Posin and written by Posin and Zac Stanford, starring an ensemble cast. The film focuses on the lack of communication between teenagers and their parents, and the prevalence of prescription drugs in American society. The title of the film refers to a character ! that helps his friends to survive in a superficial world by keeping things authentic and is portrayed in form of a video game omnipresent in the teenagers' lives, in which a post-apocalyptic hero carries his severed head in his hand as he fights the forces of evil. One day in the fictional town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stifle (Jamie Bell), who found the body, is prescribed further antidepressants by his father Bill (William Fichtner), a psychiatrist. A guy holding his own head, a look from The Chumscrubber. Funny Tee, TShirt, Shirt. About our Dark T-Shirt: Look cool without breaking the bank. Our durable, high-quality, pre-shrunk 100% cotton t-shirt is what to wear when you want to go comfortably casual. Preshrunk, durable and guaranteed.5.6 oz. 100% cotton. Standard fit..The Chumscrubber reproduction poster print
Pop Culture Graphics, Inc is Amazon's largest source for ! movie an d TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

Chicken Run

  • Special Edition
  • From the Creators for Wallace and Gromit
CHICKEN RUN - DVD MovieThere were a lot of disappointments in the 2000 summer movie season, but Chicken Run wasn't one of them. Made by Aardman Animations, which produced the Oscar-winning Wallace & Gromit shorts, this is a dazzling stop-motion animation film that is both deftly funny and surprisingly touching. The concept is simple: The Great Escape--with chickens. But directors Peter Lord and Nick Park take it much further than that (and remember: there's a whole generation out there that has no idea who Steve McQueen is). Julia Sawalha voices Ginger, a plucky English hen who has been trying to escape from Tweedy's chicken farm, where the vicious Mrs. Tweedy (Miranda Richardson) fries up any chicken who doesn't produce enough eggs. When egg profits slump, Mrs. Tweedy decides to turn her farm into a chicken-pie fa! ctory, giving new urgency to Ginger's plan. Enter Rocky the Flying Rooster (Mel Gibson), a brash American who has escaped from a circus and promises to teach the chickens to fly to safety. The film is filled with innumerable visual touches and the animation has a tactile quality that makes you want to reach out and touch these funny fowl. Above all, it's played with intelligence, wit, and heart--a rare combination in any film. While Chicken Run is being marketed to a youth audience, it truly is a family film that operates on both a child and an adult level. It would be a shame if grownups skipped it because they thought it was strictly for kids. --Marshall Fine