Monday, November 7, 2011

Balibo Poster Movie Australian 11x17 Anthony LaPaglia Oscar Isaac Nathan Phillips Gyton Grantley

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Balibo 11 x 17 Inches Australian Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material

Featuring six additional chapters, this revised edition reveals the provocative story of one of the most shameful episodes in Australia's history, providing a firsthand account of the 1975 deaths of five young television reporters killed by the Indonesian military in the East Timor border town of Balibo. Chronicling how the reporters died as well as the eventual execution of a sixth reporter who attempted to investigate their fate, this gripping depiction also documents the personal narratives behind the families of the v! ictims and their heartbreaking struggle for the truth. Contending that the Australian government was always aware of the circumstances of the killings, this argument maintains that their cover-up was a key factor in Indonesia's decision to invade and occupy East Timor. With a striking collection of photographs from its thrilling companion film, this searing recollection is as much an investigation of the Indonesian occupation of East Timor as it is a case study of the Balibo killings.

Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: 2-DVD Set, Anamorphic Widescreen, Behind the scenes, Commentary, Deleted Scenes, Documentary, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: After five Australian-based journos go missin! g, veteran correspondent Roger East is lured to East Timor by ! the char ismatic Jos Ramos-Horta to tell his tiny nation's story and investigate the men's disappearance. As the threat of Indonesian invasion intensifies, an unlikely friendship develops between him and Horta. BALIBO is a political thriller that tells the true story of crimes that have been covered up for 30 years. SCREENED/AWARDED AT: Australian Film Institute, ...Balibo ( The Balibo Conspiracy )When foreign correspondent Tony Maniaty goes back to Timor for the first time since he fled for his life thirty years before, he discovers a land of ghosts some he left behind, and some he's brought with him. He's there to watch five young actors play out the last days of five friends of his men who were murdered by the Indonesian army in one of the most infamous incidents (and cover-ups) in Australian foreign affairs. He's also there to talk to some friends who survived Gusmao, Ramos-Horta people he knew as guerrillas and who now run the country. When he arrives, past and present, fict! ion and fact begin to overlap: at the Hotel Turismo he's assigned room eleven the room he had in 1975. And, he later discovers, the room the actor playing his young self had been staying in. Old contacts appear out of the jungle, and disappear into rooms of state. But the most harrowing overlap is when he watches five young men being taken into a shack on the outskirts of Balibo, towards death.THE MUSIC IN BALIBO COMBINES AN ORIGINAL SCORE BY WORLD RENOWNED AUSTRALIAN COMPOSER LISA GERRARD, WITH TRADITIONAL TIMORESE SONGS. ADDITIONAL ORIGINAL SCORE IN BALIBO WAS COMPOSED BY MARCELLO DE FRANCISCI AND SAM PETTY. TRADITIONAL TIMORESE SONGS ARE A POWERFUL PART OF THE SOUNDTRACK IN BALIBO, AND INCLUDE A CHILDREN'S CHOIR FROM TIMOR OPENING THE FILM WITH THE POWERFUL O HELE HO, THE FRETILIN MILITARY ANTHEM FOHO RAMELAU, AND THE POLITICAL SONG KOLELE MAI. THE FILM CONCLUDES WITH EGO LEMO'S BALIBO, A TETUM LANGUAGE SONG COMPOSED FOR THE FILM DESCRIBING THE EXPERIENCES OF TH! E BALIBO FIVE JOURNALISTS THE NIGHT BEFORE THEY WERE TO DIE. E! GO IS ON E OF EAST TIMOR'S BEST KNOWN SINGERS, AND HAS SPENT THE LAST 12 MONTHS TOURING AUSTRALIA WITH GEOFFREY GURRUMUL YUNUPINGU.This provocative book reveals the previously hidden details of one of the most shameful episodes in Australia's history, providing a firsthand account of the deaths of five young television reporters killed by the Indonesian military in the East Timor border town of Balibo in 1975. The reporters died as they filmed the advance of Indonesian troops into the town. Cover Up tells their personal stories and of their families' heartbreaking struggle for the truth. It argues that the Australian government was always aware of the circumstances of the killings and that its cover-up was a key factor in Indonesia's decision to invade and occupy East Timor. Part memoir, part history, this searing book is as much an investigation of the Indonesian occupation of East Timor as it is a case study of the Balibo killings.Balibo reproduction Approx. Size: 11 x 17 Inches - ! 28cm x 44cm Australian Style A mini poster print

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Jazwares Astro Boy The Movie 3 3/4 Inch Action Figure Astro Boy

  • Astro Boy shirtless action figure measures ~3.75 inches tall
  • Inspired by the Astro Boy movie released in 2009
  • Figure has interchangeable feet, rocket feet and regular shoes
  • Figure has posable arms, elbows, legs, and knees
  • For ages 4 and up
et in futuristic Metro City, Astro Boy is about a young robot with incredible powers created by a brilliant scientist in the image of the son he has lost. Unable to fulfill the grieving man's expectations, our hero embarks on a journey in search of acceptance, experiencing betrayal and a netherworld of robot gladiators, before he returns to save Metro City and reconcile with the father who had rejected him.Are heroes born or made? How does one go about finding one's true destiny? Dr. Tenma (Nicolas Cage), a revered scientist on the floating paradise known as Metro City, has recently created a technologically advanced robot in! the image of his late son Toby in an effort to assuage his overwhelming grief. Far from an average robot, his creation (Freddie Highmore) is a thinking, feeling robot endowed with the memories and emotions of the real Toby and powered by a unique blue core energy recently discovered by Dr. Tenma's good friend Dr. Elefun (Bill Nighy). Despite his efforts, Dr. Tenma quickly discovers that his new creation will never replace his human son, and he coldly casts him aside. Being a thinking, feeling robot, the robot boy sets off in search of a place where he might fit in, and his journey lands him below Metro City, on the surface of the wasteland known as Earth, where he is befriended first by a trio of rebellious robots who dub him Astro Boy and later by a group of human orphans led by the robot repairman Dr. Hamegg (Nathan Lane). Although Astro Boy fully intends to confess his robotic origins to the humans, circumstances prevent the disclosure, and his first real friendships ar! e tainted by the underlying deception. Meanwhile, back in Metr! o City, President Stone (Donald Sutherland) launches a campaign to destroy Astro Boy in an effort to steal the blue core energy and use it with its opposing and very unstable red core energy to guarantee his reelection. In the end, Astro Boy's real ancestry comes to light, and his relationships with the humans and his very existence are threatened. It also falls to Astro Boy to save Metro City from certain destruction at the hands of President Stone. Based on the 1950s Japanese manga and the 1960s Astro Boy Japanese animated television series commonly credited as the first anime cartoon, Astro Boy is an engaging, action-packed film about self-discovery and pursuing one's destiny. While there's a healthy amount of violence and peril in the film, it's generally appropriate for ages 7 and older. --Tami HoriuchiSet in futuristic Metro City, Astro Boy is about a young robot with incredible powers created by a brilliant scientist in the image of the son he has lost. U! nable to fulfill the grieving man's expectations, our hero embarks on a journey in search of acceptance, experiencing betrayal and a netherworld of robot gladiators, before he returns to save Metro City and reconcile with the father who had rejected him.Are heroes born or made? How does one go about finding one's true destiny? Dr. Tenma (Nicolas Cage), a revered scientist on the floating paradise known as Metro City, has recently created a technologically advanced robot in the image of his late son Toby in an effort to assuage his overwhelming grief. Far from an average robot, his creation (Freddie Highmore) is a thinking, feeling robot endowed with the memories and emotions of the real Toby and powered by a unique blue core energy recently discovered by Dr. Tenma's good friend Dr. Elefun (Bill Nighy). Despite his efforts, Dr. Tenma quickly discovers that his new creation will never replace his human son, and he coldly casts him aside. Being a thinking, feeling robot, the r! obot boy sets off in search of a place where he might fit in, ! and his journey lands him below Metro City, on the surface of the wasteland known as Earth, where he is befriended first by a trio of rebellious robots who dub him Astro Boy and later by a group of human orphans led by the robot repairman Dr. Hamegg (Nathan Lane). Although Astro Boy fully intends to confess his robotic origins to the humans, circumstances prevent the disclosure, and his first real friendships are tainted by the underlying deception. Meanwhile, back in Metro City, President Stone (Donald Sutherland) launches a campaign to destroy Astro Boy in an effort to steal the blue core energy and use it with its opposing and very unstable red core energy to guarantee his reelection. In the end, Astro Boy's real ancestry comes to light, and his relationships with the humans and his very existence are threatened. It also falls to Astro Boy to save Metro City from certain destruction at the hands of President Stone. Based on the 1950s Japanese manga and the 1960s Astro Boy ! Japanese animated television series commonly credited as the first anime cartoon, Astro Boy is an engaging, action-packed film about self-discovery and pursuing one's destiny. While there's a healthy amount of violence and peril in the film, it's generally appropriate for ages 7 and older. --Tami HoriuchiComplete episodes of the new 2003 version of the 60s television program about a robot boy who is sent to a robot circus by the man who creates him.
Genre: Children's Video
Rating: NR
Release Date: 4-APR-2006
Media Type: DVDWhen Osamu Tezuka created Tetsuwan Atom (literally Iron-arm Atom) a.k.a. Astro Boy, he set his birthdate as April 7, 2003--51 years after the initial manga and 40 years after the groundbreaking television series debuted. Sony produced this third incarnation in 2003, and a few episodes aired on American TV in 2004. A combination of drawn and computer-generated animation, the new version is! far more lavish than the initial black-and-white series or th! e 1980 c olor remake. The artists strive to preserve Tezuka's drawing style, keeping Astro's outsized eyes and Dr. O'Shay's pickle nose. Spaceships and other robots float effortlessly by, but Astro's legs shoot old-fashioned rocket flairs.

The newly born Astro is a complete innocent, but as he explores various aspects of the world, he develops a strong sense of purpose, aiding those in need. His state-of-the-art brain includes kokoro, which can be translated as "heart," "spirit," or "will," which makes him more human. The conflict between humans and robots--which some critics have interpreted as a metaphor for racism distinguishes--escalates into a battle at the city of Robotonia in Antarctica. Astro strives to make peace between the hostile factions, although many of the conflicts were sparked by Dr. Tenma, who originally created him. Although visually appealing, this lush reinterpretation lacks the gritty charm of Tezuka's low-budget original. The only extra is a ! short "remaking of"; the dialogue is dubbed in English, Spanish, and Portuguese--but not Japanese. (Unrated, suitable for ages 8 and older: cartoon violence) --Charles SolomonASTRO BOY:COLLECTION BOX SET - DVD MovieAlthough Osamu Tezuka's Complete Manga runs to 300 volumes and his filmography as a writer, producer, and/or director includes more than 70 shorts, features, and TV series, Astro Boy--including this 1980 remake--remains his iconic creation. Tezuka wrote many of the scripts for the second version, and he and Noboru Ishiguro are listed as co-directors. Created by Dr. Boynton to replace his dead son, Astro is a 100,000-horsepower super-robot with jets in his legs, lasers in his fingers, and a gun in his derrière. His round head and goo-goo eyes reflect Tezuka's affection for the old Fleischers cartoons. Astro overcomes criminals, people who use robots for evil purposes or who harbor anti-robot prejudice, and Atlas, a robot who wants to rule the! world. In these struggles, Astro never loses his temper, hold! s a grud ge, or feels temptation. Tezuka wanted him to embody the virtues of selflessness and compassion, but his naive, unflagging goodness makes him a rather dull character.

The color version of Astro Boy is better animated than the 1963 original, which relied heavily on cycles and reused footage. But the stolid timing robs the action scenes of the punch they should pack. The English dub is equally flat, with little inflection or acting to communicate the characters' emotions. The faded prints have been restored to their original colors. Characters are called by their English names in the dialogue but by their Japanese names in subtitles (e.g., Dr. Boynton becomes Dr. Tenma). Among the extras are several deleted scenes, including one of Tezuka introducing "Astro's First Love." Tezuka devotees and fans who grew up watching the color version on TV will want this set, but the original, black-and-white series remains the definitive Astro Boy. (Unrated, suitable for ag! es 7 and older: violence, alcohol use) --Charles SolomonDark Horse proudly presents one of the crown jewels of manga - Astro Boy! Created by the late Osamu Tezuka, a revered animator and cartoonist (who created over 150,000 pages of comics in his career!) considered the Walt Disney of Japan, Astro Boy was the first manga series to be adapted to animation and became a worldwide phenomenon, making Astro Boy the Mickey Mouse of anime - a jet-powered, super-strong, evil-robot-bashing, alien-invasion-smashing Mickey Mouse, that is! Exciting, whimsical, and touching, Astro Boy hearkens back to the classic era of comics and animation, featuring stories that readers young and old will enjoy.Astro Boy shirtless action figure measures approx. 3.75 inches tall. Figure has interchangeable feet, rocket feet and regular shoes. Figure has posable arms, elbows, legs, and knees. Inspired by the Astro Boy movie released in 2009. Age 4+

Conan the Barbarian 27 x 40 (approx.) Poster

  • You are looking at a great poster.
  • This poster measures approx. 27 x 40.
WHEN HIS PARENTS ARE SAVAGELY MURDERED, CONAN IS CAPTURED AS A CHILD AND AFTER FIFTEEN YEARS OF AGONY, FORGES A MAGNIFICENT BODY AND INDOMITABLE SPIRIT. ONCE FREE, HE EMBARKS UPON A QUEST FOR ULTIMATE POWER TO SLAY THE EVIL ARCH-VILLAIN THAT ENSLAVED HIM. FEATURES: SPECIAL EFFECTS AND MUCH MORE.Conan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. T! o avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonConan the Barbarian [DVD] (1982) Arnold Schwarzenegger; James Earl JonesConan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realiz! ation of Howard's fantasy world. To avenge the murder of his p! arents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonCONTAINS: CONAN THE BARBARIAN: AND CONAN THE DESTROYER.Following his parents' savage murder, young Conan (Arnold Schwarzenegger) is captured by the cold-blooded Thulsa Doom (James Earl Jones) and spends the next fifteen years in agony, first chained to the Wheel of Pain and then enslaved as a Pit Fighter. Rather than allowing this brutal fate to conquer him, Conan builds an incomparable body and an indomitable spiritâ€"both of which he needs when he suddenly finds himself a free man. Aided by his companions Subotai the Mongol (Gerry Lopez) and Valeria, Queen of Thieves (Sandahl Bergman), Conan se! ts out to solve the "riddle of steel," seize ultimate power and, finally, take revenge on the warlord who killed his family.Conan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as e! njoyable for adults who haven't lost their youthful imaginatio! n. -- Jeff ShannonBasil Poledouris' exciting score to Arnold Schwarzenegger's 1982 barbarian epic. 12 tracks. Warner Music. 2003.This early '80s sword-and-steroids epic by writer/director John Milius is notable for making a bankable action-star of Arnold Schwarzenegger and cementing the reputation of film composer Basil Poledouris (Robocop, Hunt For Red October, Free Willy, Starship Troopers). A dream assignment for a young composer eager to showcase the range his skills, the lusty Conan score hearkens back to the '30s heyday of Erich Wolfgang Korngold's unabashed Euro-classicism, but with enough modern rhythmic and percussive flourishes to satisfy the modern listener. Buyer beware--this music is not intended for rush hour commute listening, and Amazon.com will not be held liable for the carnage such exposure might inspire. --Jerry McCulleyConan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, ! is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff Shannon This 27 x 40 (approx.) poster is from Conan the Barbarian (1982)

The Window Facing Winter

  • ISBN13: 9781930974371
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A young working-class wife and mother unlocks a freedom within her heart that she never expected. Don't miss this critically-acclaimed, award-winning romance.The beautiful and wonderfully named Giovanna Mezzogiorno joins the list of soulful Italian actresses with Facing Windows, a pleasant cinematic fancy. Her character is a married Mom in an ordinary apartment, whose life is affected by two things: her fascination with the handsome man who lives across the courtyard, and the sudden arrival in her home of an elderly amnesiac (played by the late Massimo Girotti)--a well-dressed man found walking on the street, dazed and lost. Turkish-born director Ferzan Ozpetek (Steam: The Turkish Bath)! makes this simultaneously a slice of life and a vaguely fantastical situation. It probably all works out a little too neatly, but the unhurried pace and deep sympathy Ozpetek displays toward his main characters is refreshing. And when in doubt, he points the camera at the face of La Mezzogiorno, which solves all problems. --Robert HortonImport exclusive soundtrack to multi-national romantic drama, originally issued in 2003 & just released on DVD in the U.S., features the score by Gianfilippo Corticelli & one track, 'Gocce Di Memoria', performed by Giorgia. 17 tracks.Poetry. "In THE WINDOW FACING WINTER, the urgency of the beautiful andsometimes murderous urban landscape, set alongside the seductive, intricateoasis of the Japanese garden, renders possible a vision into 'sliver ofthe absolute.' With unflinching accuracy, LaFemina delivers a sacred, ifmomentary, world, laying bare its essential loneliness, its obstinatebeauty" --Robin Behn.

GrooVe IP

  • Call any phone in the U.S. or Canada using your mobile device but not your mobile minutes
  • Get a free public phone number from Google Voice, first
  • Make and receive calls using Wi-Fi and/or 3G if your without a mobile plan or reception
  • Pay incredibly low rates for calls around the world (with the exception of free U.S. and Canada calls)
  • Send incoming calls to voicemail
Parties are not always as fun as they look like they should be. The distinction lies in the realm between watching people have fun and actually having fun. Case in point: Groove. Set in San Francisco over the course of one night, this is the story of a rave, plain and simple. Preparation includes inhabiting an empty warehouse, finding the power supply, and sending out coded invitations. The movie kicks in as the party does, when people start arriving and the DJs start spinning. There's a nic! e moment early on when a cop shows up asking for the owner of the building, who is then taken on a tour of "a new Internet start-up." It becomes even funnier when the cop turns out to be smarter and more compassionate than anyone would expect. Writer-director Greg Harrison does a smart thing by focusing the story on David, a novice who's never been to a rave before, which breaks the story out of what could have been the suffocatingly insular world of rave culture. Unknowingly dosed by someone (his brother?), David is adopted by Layla, an attractive but lonely East Coast transplant who has begun to regret her party lifestyle. Other characters include a guy who's just proposed to his girlfriend, a college teaching assistant selling his own manufactured drugs, a nefarious lothario, a DJ who gets to meet his idol, and a gay couple having trouble finding the party. If the characters turn out to be just character types, that's OK because the movie itself floats by on its own high! -octane enthusiasm. Groove is light and frothy entertai! nment wi th a beat you can dance to. --Andy Spletzer

Lindt Lindor Truffles Milk Chocolate, 60-Count Box

Sunday, November 6, 2011

Doom

  • 1 or 2 Players
  • Over 50 Hellish Levels
  • All-new 24 channel stereo sound effects
  • 2 player "Deathmatch" and "Competative" modes
  • The Best monsters, weapons and bosses from Ultimate Doom and Doom II
A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, Doom is an explosive action-packed thrill ride! Starring: Dwayne ''The Rock'' Johnson, Karl Urban, Rosamund Pike, Deobia Oparei, Ben Daniels, Raz Adoti, Richard Brake, Brian Steele, Doug Jones, Dwayne 'The Rock' Johnson Directed by: Andrzej Bartk! owiakGrab your BFG and get ready to kick some Martian-demon butt in Doom, another entry in the increasingly crowded videogame-to-movie genre. The Rock plays Sarge, the commander of a squad of Marines sent to investigate a disturbance at a scientific research facility on Mars. Among the squad is John Grimm (Karl Urban, who played Eomer in The Lord of the Rings), who turns out to have had a previous relationship with Samantha (Rosamund Pike, Die Another Day), the scientist who's accompanying the Marines in order to retrieve some vital data from the facility. Based on id Software's legendary first-person shooter, Doom tries its best to look like a game, with dark, angled corridors, ferocious creatures appearing out of nowhere, and a variety of lethal weapons that will, like the aforementioned BFG, warm the cockles of a gamer's heart. There's also one memorable sequence that actually turns the movie into a first-person shooter; the good news is t! hat in the context of the whole film, it's not quite as goofy ! as it mi ght have been. And that's not a bad frame of reference for the film in general. Considering the game-to-movie field includes such duds as Wing Commander, if you go into Doom with low expectations, you'll probably find it a surprisingly respectable horror/sci-fi thriller in the Resident Evil vein (including its somewhat obligatory subplot of corporate wrongdoing). Also in its favor is that it's unabashedly R-rated, for the extreme gore that is a trademark of the game. After all, the purpose of the movie is to pack scares and thrills into a setting that gamers will quickly recognize. In that sense, it qualifies as a success. --David HoriuchiNo question about it: Doom is one of the greatest games of all time. The blend of a simple, yet compelling mission, breakthrough 3-D interface, brilliant level and weapon design, and the effective use of fear made Doom an instant classic and launched a revolution in computer games. Born on the! PC, this game has been ported to almost everything imaginable, and the PlayStation port is one of the best.

You play the part of a space marine who was stationed on a research station on the Martian moon, Phobos. Something went very wrong when the researchers opened an extradimensional portal. Now you're trapped far from home, grabbing guns and ammo to blast the demons. A one-man crusade, you shoot everything that moves--and, likewise, everything that moves tries to return the favor.

This was the game that launched the multiplayer craze on the PC, and the PlayStation version does its best to live up to Doom's reputation as the ultimate multiplayer deathmatch game. If you have two players, two PlayStations, and a link cable, you can enjoy some mad two-player mayhem.

A few words of caution: remember that Doom was the first wildly successful first-person shooter, and while its graphics were astounding for its era, it hasn't aged well. If you want the ! latest and greatest graphics, you'll be disappointed, but if y! ou're in to quality gaming and appreciate history, you'll still get a huge blast out of Doom. --John Cocking

Pros:

  • Lots of mayhem
  • Terror mounts as your ammo count drops
Cons:
  • Older graphics
  • Nothin' but violence
  • Sluggish when compared to the PC version

Enron: The Smartest Guys in the Room

  • Based on the best-selling book of the same name by Fortune reporters Bethany McLean and Peter Elkind, a multidimensional study of one of the biggest business scandals in American history. The chronicle takes a look at one of the greatest corporate disasters in history, in which top executives from the 7th largest company in this country walked away with over one billion dollars, leaving investors
ENRON:SMARTEST GUYS IN THE ROOM - DVD MovieOne of the greatest scandals in American corporate history is chronicled in the riveting documentary Enron: The Smartest Guys in the Room. Based on the bestselling book by Fortune magazine reporters Bethany McLean and Peter Elkin, and directed by Alex Gibney (who also produced The Trials of Henry Kissinger), the film is an epic morality tale, drawing upon a wealth of insider interviews and archival material to show how Enron, once the na! tion's seventh largest corporate entity, essentially faked its bookkeeping to report profits that never existed. The corrupt and closely-guarded mismanagement by Enron executives (including Kenneth Lay and Jeffrey Skilling, later placed on criminal trial) is revealed through such heinous concepts as "Hypothetical Future Value" (a way of reaping fortunes based on false profit projections) and the use of offshore "shell" companies to hide the massive losses that eventually toppled the company (along with the venerable Arthur Anderson accounting firm) and left 20,000 employees jobless. As a maddening portrait of hubris and white-collar crime, Enron transcends political and corporate boundaries by showing how smart and powerful men grew blinded by greed and brought ruin upon themselves, along with thousands of otherwise innocent victims. For better and worse, it's a perfect double-feature with eye-opening 2004 documentary The Corporation. --Jeff Shannon
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