Wednesday, November 16, 2011

Famous Stars and Straps Men's Classic Stripe Tee, Athletic Heather/Red, XX-Large

  • Doin our own thing since 99
  • Making noise and influencing people
What if the person you desired most was the one person you were forbidden to love? OscarÂ(r) winner* Tim Robbins and OscarÂ(r) nominee** Samantha Morton "make a sexy and moving pair of desperadoes" (Entertainment Weekly) in this "provocative, quietly erotic" (Premiere)sci-fi thriller from the director of 24 Hour Party People. In the near future, privileged classes live and work "inside" cities, while non-citizens scratch out a miserable existence "outside" in a vast desert. People cannot leave their designated zones without special visas known as"papeles." When fraudulent papeles surface, Seattle investigator William Geld (Robbins) travels to Shanghai to ferret out the culprit and meets Maria Gonzalez (Morton) a woman with whom he has a passionate affair but breaks one of society's harshest laws: Code 46. *2003: Suppo! rting Actor, Mystic River **2003: Actress, In America; 1999: Supporting Actress, Sweet and LowdownLike Gattaca did before it, Code 46 extrapolates from the present to posit a chilling, dystopian look at our genetically regimented future. In the corporate-controlled, near-future scenario presented by prolific director Michael Winterbottom and his regular screenwriter Frank Cottrell Boyce, nations and languages have merged to form a polyglot society in which genetic imperfections are avoided by the strict enforcement of Code 46, which prohibits sex between people who share 100%, 50%, or even 25% matching DNA. As an insurance-fraud investigator in Shanghai to investigate the issuance of forged passports (a major offense in an overcrowded world), Tim Robbins meets his prime suspect (Samantha Morton, echoing her role in Minority Report), and their violation of Code 46 has tragic and ultimately dehumanizing repercussions. Fascinating as a "what-if" scenario,! Winterbottom's film is more successful as a melancholy mood-p! iece tha n a science-fiction tale. While the plot and characters suffer from occasionally vague definition, Code 46 offers a fascinating study of human longing in an age of oppressive globalization. --Jeff ShannonEthan Hawke, Uma Thurman, Alan Arkin and Jude Law star in this engrossing sci-fi thriller about an all-too-human man who dares to defy a system obsessed with genetic perfection. Hawke stars as Vincent, an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation. However, a week before his mission, a murder marks Vincent as a suspect. With a relentless investigator in pursuit and the colleague he has fallen in love with beginning to suspect his deception, Vincent's dreams steadily unravel.Confidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been reco! gnized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), such as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, ! Gattaca establishes its social structure so convincingl! y that t he entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff ShannonConfidently conceived and brilliantly executed, Gattaca had a somewhat low profile release in 1997, but audiences and critics hailed the film's originality. It's since been recognized as one of the most intelligent science fiction films of the 1990s. Writer-director Andrew Niccol, the talented New Zealander who also wrote the acclaimed Jim Carrey vehicle The Truman Show, depicts a near-future society in which one's personal and professional destiny is determined by one's genes. In this society, "Valids" (genetically engineered) qualify for positions at prestigious corporations, such as Gattaca, which grooms its most qualified employees for space exploration. "In-Valids" (naturally born), suc! h as the film's protagonist, Vincent (Ethan Hawke), are deemed genetically flawed and subsequently fated to low-level occupations in a genetically caste society. With the help of a disabled "Valid" (Jude Law), Vincent subverts his society's social and biological barriers to pursue his dream of space travel; any random mistake--and an ongoing murder investigation at Gattaca--could reveal his plot. Part thriller, part futuristic drama and cautionary tale, Gattaca establishes its social structure so convincingly that the entire scenario is chillingly believable. With Uma Thurman as the woman who loves Vincent and identifies with his struggle, Gattaca is both stylish and smart, while Jude Law's performance lends the film a note of tragic and heartfelt humanity. --Jeff Shannon

Nominated for a 2004 European Film Award, the Free Association's (David Holmes and Steve Hilton) music to CODE 46 features an atmospheric and contemplative score. Influenced d! ually by techno and film music, David Holmes and Steve Hilton ! are know n for soundtracks that translate the emotional power of their films. Holmes and Hilton have released a number of critically acclaimed albums, and their film credits include OUT OF SIGHT, ANALYZE THAT, OCEAN'S ELEVEN and OCEAN'S TWELVE.

Starring Academy Award® winner Tim Robbins and Academy Award® nominee Samantha Morton, Michael Winterbottom's (24 HOUR PARTY PEOPLE, WELCOME TO SARAJEVO, THE CLAIM, 9 SONGS) dystopian thriller CODE 46 is a sci-fi noir set in the near future, revolving around two people struggling to find solace in a world of disorder. CODE 46 was nominated for a Golden Lion at the Venice Film Festival, Golden Satellite Award, British Independent Film Award, and four European Film Awards. The United Artists release hit theaters August 2004, and is now available on DVD.Featuring time-tested safety concepts and the very latest industry standards in material design, the 2012 INTERNATIONAL BUILDING CODE SOFT COVER version offers up-to-date! , comprehensive insight into the regulations surrounding the design and installation of building systems. It provides valuable structural, fire-, and life- safety provisions that cover means of egress, interior finish requirements, roofs, seismic engineering, innovative construction technology, and occupancy classifications for all types of buildings except those which are detached one and two family homes and townhouses not more than 3 stories high. The content in this code book is developed in the context of the broad-based principles that facilitate the use of new materials and building designs, making this an essential reference guide for anyone seeking a strong working knowledge of building systems.


New in the 2012 IBC®

Key changes include:

Nonstructural

  • All definitions are included in Chapter 2.
  • Classifications for a variety of health-care related facilities ha! ve been clarified.
  • Covered- and open-mall provis! ions rev ised to fully address the construction of open malls.
  • Clarified provisions for incidental-use rooms and spaces.
  • Modified provisions addressing exterior wall projections.
  • Reformatted requirements for protection of vertical openings through floors.
  • Automatic sprinkler systems required where furniture and mattresses are manufactured or stored.
  • Increased capacity for stairways and other egress components in buildings with sprinklers and an emergency communication system.
  • Clarification of when unenclosed stairways can be used as a part of the means of egress system, including how travel distance is measured.
  • In three- and four-exit buildings, some exits are now permitted to serve a portion of a story rather than an entire story.

Structural

  • Wind design requirements extensively revised.
  • Wind load maps are now based on ul! timate design wind speeds.
  • New terminology for wind speeds.
  • Updated seismic ground motion maps.
  • The term "occupancy category" changed to "risk category."
  • Special inspection requirements for structural steel and masonry construction are now based on referenced standards.
  • Penetration firestop and fire-resistant joint systems in high-rise buildings and in Risk Category III or IV structures require special inspection.
  • Modifications to the seismic provisions of ACI 318 Appendix D.

Short sleeve men's t-shirt with logo on the front

Hugo Dark Blue By Hugo Boss For Men. Eau De Toilette Spray 4.2 Ounces

  • Packaging for this product may vary from that shown in the image above
  • This item is not for sale in Catalina Island
LAPD Lt. Carter Shaw (Dylan McDermott) and his special undercover task force understand that to collar criminals, one must first get on their level. They also know that going undercover may require cutting ties with those who mean the most. Adrift, isolated and frequently faced with situations that strain the line between right and wrong, these officers know that all that matters is loyalty to each other and to the task at hand: bringing down the bad guys.
From Jerry Bruckheimer Television (the CSI Trilogy, Without a Trace, Cold Case) comes another edgy and atmospheric series about dedicated law enforcers operating in the shadows and leading double lives. Omari Hardwick, Logan Marshall-Green and Nicki Aycox also star. This 4-Disc, 10-Episode Season One Collection of! their edge-of-your-seat investigations will take you to the edge of darkness - and beyond.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Set during the tense times of the LA riots, the film tells the story of Eldon Perry, veteran officer of the Los Angeles Police's special investigation squad as he tutors a new police officer who comes to learn the depth of corruption in his own police department.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 23-DEC-2003
Media Type: DVDThe Rodney King riots of April 1992 hang like a keg of dynamite over Dark Blue, a crackling tale of Los Angeles police corruption that gives Kurt Russell one of the best roles of his underrated career. Adapted by Training Day screenwriter David Ayer from a story by L.A. Confidential novelist James Ellroy, the plot finds Russell's rule-bending dete! ctive teamed with a promising young partner (Scott Speedman) w! hose eth ics have yet to be tainted. Their boss (Brendan Gleeson) is a lawless maverick, maneuvering the unwitting detectives into covering up a lucrative robbery scam, while L.A.P.D.'s Deputy Chief (Ving Rhames) campaigns to bring them all down. While adhering to familiar cop-thriller formula, director Ron Shelton (Bull Durham) escalates tension with forceful impact, drawing a climactic parallel between the King riots and the fallout from Russell's cynical behavior. It's a powerhouse combination, allowing Russell to find shades of complexity in a character who realizes, almost too late, that he's a devil in the hell of L.A. --Jeff ShannonDARK BLUE - Blu-Ray MovieThe Rodney King riots of April 1992 hang like a keg of dynamite over Dark Blue, a crackling tale of Los Angeles police corruption that gives Kurt Russell one of the best roles of his underrated career. Adapted by Training Day screenwriter David Ayer from a story by L.A. Confidentia! l novelist James Ellroy, the plot finds Russell's rule-bending detective teamed with a promising young partner (Scott Speedman) whose ethics have yet to be tainted. Their boss (Brendan Gleeson) is a lawless maverick, maneuvering the unwitting detectives into covering up a lucrative robbery scam, while L.A.P.D.'s Deputy Chief (Ving Rhames) campaigns to bring them all down. While adhering to familiar cop-thriller formula, director Ron Shelton (Bull Durham) escalates tension with forceful impact, drawing a climactic parallel between the King riots and the fallout from Russell's cynical behavior. It's a powerhouse combination, allowing Russell to find shades of complexity in a character who realizes, almost too late, that he's a devil in the hell of L.A. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 01/04/2011 Rating: RIntroduced in 1999. Fragrance notes: a fresh, invigorating scent of mosses and citrus. Recommended use: daytime.

Beautiful By Estee Lauder For Women. Eau De Parfum Spray 2.5 Ounces

Tuesday, November 15, 2011

PaintWorks - Guardian of the Sea Paint-by-Number Kit

  • The consistent attention to detail and artistic technique are available to crafters in simple paint-
Drama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During the course of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidat! ed from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonDrama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long ! Beach, Long Island to confront the darkness of his past. Durin! g the co urse of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something! deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonDrama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During the course of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Nir! o stars as veteran New Jersey detective Vincent LaMarca, lamen! ting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonIt's said that the sins of the father are visited upon the son, a theme that permeates this based-on-a-true-story cop film with a generational twist. Given the film! 's troubling emotional core and urban landscape, composer John Murphy scores it with remarkably eclectic panache. Starting with a somber, string-driven theme that subtly evokes the story's undercurrents of Greek tragedy, Murphy quickly draws upon everything from ska rhythms, Chopin piano pieces, house music, and even East Asian flourishes to bring its various emotional and cultural conflicts into focus. It's a score whose range and dynamic sense alone are impressive, but also one that never forgets where its heart lies. Murphy occasionally lapses into predictable action cues, but it's his evocative side excursions into the pop vernacular that balance the autumnal orchestral themes and impart the entire score with compelling new dimensions. It's a great example of how music can be more than merely the sum of its parts. --Jerry McCulley In this richly illustrated celebration of the nation's oldest seaside resort, Emil R. Salvini leads the reader through Cape May's two ! hundred tumultuous years, which have forever earned it the mon! iker "Qu een of the Seaside Resorts."

During its beginning as a coastal getaway not for New Jerseyans but for Philadelphians, middle-class families would endure the two-day journey to the site then known as Cape Island. With the advent of the steamboat and the railroad, the Cape became the premier destination for vacationers from surrounding areas.

In the 1880s, however, traffic slowed and the city entered a period of decline. Subsequent attempts at modernization failed, which actually saved the quaint wooden village that is visited by so many today.

Eventually, residents realized that the future of the Cape lay in the past. Preservation advocates succeeded in reviving interest in the resort, resulting in Cape May being designated a National Historic Landmark in 1976.

Readers of The Summer City by the Sea will be tempted to take the last exit off the Garden State Parkway. While fashionable resorts come and go, Cape May endures, a tribute to its tenac! ity and tradition.This is the account of a young man who grew up in Germany during the period of the Third Reich. Under the doctrine of the Nazi regime and the influence it had especially for the young, the author nevertheless kept his sense of right and wrong.

In vivid detail Peter Haase describes the war years and how they affected him and his family. He records Nazi propaganda, shortages, air raids and the descent toward final defeat, as seen by an adolescent between the ages of eleven and seventeen.

Ten years of post war restlessness and struggle follow in the wake of the destruction of the German economy. The rebirth of his homeland does not give Peter the opportunity to build a prosperous future for himself. He decides to seek his fortune in a far-away land.This is the account of a young man who grew up in Germany during the period of the Third Reich. Under the doctrine of the Nazi regime and the influence it had especially for the young, the aut! hor nevertheless kept his sense of right and wrong.

In ! vivid de tail Peter Haase describes the war years and how they affected him and his family. He records Nazi propaganda, shortages, air raids and the descent toward final defeat, as seen by an adolescent between the ages of eleven and seventeen.

Ten years of post war restlessness and struggle follow in the wake of the destruction of the German economy. The rebirth of his homeland does not give Peter the opportunity to build a prosperous future for himself. He decides to seek his fortune in a far-away land.Dimensions brings you paint kits that are fun and quick to paint. With their color mixing you will achieve the subtle tones that make their designs look so realistic. Kit includes: pre-printed textured art board, high-quality acrylic paints, a paint brush, and easy to follow instructions. Finished size: 16" x 20". Frames and mats are not included. Conforms to ASTM D4236. Made in USA.

The Last Song

  • LAST SONG (DVD MOVIE)
John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let another man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years sinc! e Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. ! --Bret FetzerAmbitious television reporter Maria Sanche! z (Danie lle Harris of Rob Zombie's Halloween, Hatchet 2) is investigating the disappearance of over 200 Midwestern University students when a local man (Lance Henriksen of Aliens) contacts her with information that reveals details of the serial killer and his crimes: His name is Cyrus (a chilling performance by Brian Krause of ''Charmed'') and the murders themselves were brutal. What happened next was horrific but the worst is still to come. Based on shocking true events, this bloody and brutal story of the 'The County Line Cannibal' will leave a taste in your mouth that you'll never forget.John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let a! nother man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to c! all it purity would be too highbrow for these aggressively ped! estrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret Fetzer
In 1906, a stilted English translation of Xenophon of Athens' story about Cyrus the Great's military campaigns was published. Now, a century later, a much more accessible edition of one of history's most extraordinary and successful leaders is emerging.
Among his many achievements, this great leader of wisdom and virtue founded and extended the Persian Empire; conquered Babylon; freed 40,000 Jews from captivity; wrote mankind's first human rights charter; and ruled over those he had conquered with respect and benevolence.!
According to historian Will Durant, Cyrus the Great's military enemies knew that he was lenient, and they did not fight him with that desperate courage which men show when their only choice is "to kill or die." As a result the Iranians regarded him as "The Father," the Babylonians as "The Liberator," the Greeks as the "Law-Giver," and the Jews as the "Anointed of the Lord."
By freshening the voice, style and diction of Cyrus, Larry Hedrick has created a more contemporary Cyrus. A new generation of  readers, including business executives and managers, military officers, and government officials, can now learn about and benefit from Cyrus the Great's extraordinary achievements, which exceeded all other leaders' throughout antiquity.
Miley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows R! onnie (Cyrus) and her estranged father as he tries to restore ! the lovi ng relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with the actress and more â€" this uplifting and touching drama about family, first loves and second chances is a heartfelt story to you won’t soon forget.
This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with ! their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic secret, and in the end, music helps Ronnie open her heart and heal. Cyrus gives a predictable performance as the all-attitude Ronnie, but she's helped along by Coleman's cute-little-brother shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

Flight of the Red Balloon

  • Inspired by Albert Lamorisse'sic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preocc
One of the most famous short films ever made, The Red Balloon is a childhood fantasy with appeal for viewers of every age. It is the story of Pascal, a lonely French boy who befriends a wondrous red balloon which follows him everywhere--to school and church--and even hovers outside his window when he is in his room. Filmed entirely in the picturesque back streets and narrow alleys of Old Montmartre, the film has been acclaimed through the world as an immortal masterpiece of lyrical poetry. The Red ! Balloon is both a beguiling fantasy and a touching allegory on the magic powers of love and friendship. The late French filmmaker Albert Lamorisse made this classic, 1956 short work about a lonely little Parisian boy (Pascal Lamorisse) befriended by a large red balloon, which seems to have a will of its own. As with his preceding short, 1952's White Mane, Lamorisse took home a grand prize from the Cannes Film Festival for The Red Balloon, and the latter film also won an Academy Award. There have been some stimulating pieces of film criticism (some pro, some con) written about the aesthetics of this little movie over the years, but there's no question it makes for a touching, allegorical piece always certain to prompt conversations among viewers of any age. --Tom Keogh Inspired by Albert Lamorisse's classic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Ma! mbo). Expanding on the key elements of Lamorisse's short - a y! oung boy , a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preoccupied mother, Suzanne (Academy Award® - Winner Juliette Binoche** of The English Patient, Caché). When a Taiwanese film student, Song (Fang Song), is hired to help care for Simon, a unique extended family is formed - utterly dependent on each other yet lost in separate dreams mirrored by a delicate, shiny red balloon.

Boys and Girl from County Clare 11"x17" Framed Poster

Amadeus - Director's Cut (Two-Disc Special Edition)

  • Director's Cut
  • 2-Disc Special Edition
THE INCREDIBLE STORY OF WOLFGANG AMADEUS MOZART, TOLD INFLASHBACK MODE BY ANTONIO SALIERI - NOW CONFINED TO AN INSANE ASYLUM.The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and i! nsecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim EmersonGripping human drama. Sumptuous period epic. Glorious celebration of the music of Wolfgang Amadeus Mozart. This marvelous ! winner of eight Academy Awards(R) portrays the rivalry between! the gen ius Mozart (Tom Hulce) and the jealous court composer (Best Actor Oscar(R) Winner F.Murray Abraham) who may have ruined Mozart's career and shortened his life. A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The s! tructure of the picture is otherwise unaltered.

The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker